<'a writer at the peak of her powers' the telegraph truth and fiction. jamaica and britain. who gets to tell their story? zadie smith returns with her first historical novel.kilburn, 1873. the ''tichborne trial'' has captivated the widowed scottish housekeeper mrs eliza touchet and all of england. readers are at odds over whether the defendant is who he claims to be - or an impostermrs touchet is a woman of many interests: literature, justice, abolitionism, class, her novelist cousin and his wives, this life and the next. but she is also sceptical. she suspects england of being a land of facades, in which nothing is quite what it seemsandrew bogle meanwhile finds himself the star witness, his future depending on telling the right story. growing up enslaved on the hope plantation, jamaica, he knows every lump of sugar comes at a human cost. that the rich deceive the poor. and that people are more easily manipulated than they realisebased on real historical events, the fraud is a dazzling novel about how in a world of hypocrisy and self-deception, deciding what''s true can prove a complicated task'as always it is a pleasure to be in zadie smith's mind, which, as time goes on, is becoming contiguous with london itself. dickens may be dead, but smith, thankfully, is alive' new york times 'zadie smith's victorian-set masterpiece holds a mirror up to britain . . . the fraud is the genuine article' independent 'smith's dazzling historical novel combines deft writing and strenuous construction in a tale of literary london and the horrors of slavery' guardian<>